'The world turns in Vienna and Saṃsāra rolls for Chris Marker. The Austrian city stares you in the eye through its streets. Memory, remembrance, forgetting, the various continental temporalities, death, contemplation from eternity. A dialectic of the dynamic gaze in a maelstrom of visual delights that is more than a sociological or historical document. Time doesn't exist, but an image contains infinity.' - FICIMAD Magazine 2025